Sign & Digital UK, the country’s leading trade show for the sign, display and print industry, today announces the launch of a new Digital Signage Theatre ahead of its 2016 show.
Your Print Specialists is set to bring new partners to Sign and Digital UK, providing complementary solutions for its ‘three routes to profitability’ initiative.
Sign and Digital UK 2016 is shaping up to be as popular as ever, with over 7,000 visitors expected through the doors to discover some of the industry’s latest technology.
Quality Print Services have added yet another brand new digital ink to its line-up for Sign and Digital UK: Nazdar LWU705 Series UV ink formulated specifically for HP FB500/700 printers.
Sign & Digital UK, the country’s leading trade exhibition for the sign making, display solutions and digital printing industry, takes place at the NEC Birmingham, 19-21 April 2016.
Sign & Digital UK, the country’s leading trade exhibition for the sign making, display solutions and digital printing industry, takes place at the NEC Birmingham, 19-21 April 2016.
Nene Packaging has installed a Zünd S3 digital cutting table at its Northampton factory, enabling it to produce packaging and display samples for customers of all sizes.
Roland DG (UK) is pleased to announce the launch of the VersaUV LEJ-640FT, the newest in the series of popular UV ink-based printers.
To celebrate its 20th year in business, Hybrid - Mimaki’s exclusive UK and Irish distributor - has announced a fantastic free competition for the forthcoming Sign & Digital UK exhibition. Visitors who partake in a Mimaki printer demonstration with one of the company’s authorised resellers during the show will receive a ‘Sporting Ticket’ that could win them a holiday at Club La Manga in southern Spain, worth up to £5,000.
“With a big summer of sport ahead of us, we thought our competition was a great way to get people in the mood,” says Hybrid director; Peter Mitchell. “It was a privilege to experience Mimaki celebrating its 40th year in 2015 and we’re enormously proud that Hybrid is turning 20 years old in 2016. Sign & Digital UK is the perfect occasion to kick things off with a prize like this.”
Hybrid’s Sporting Tickets not only enter visitors into the competition, but also ensure their involvement in the company’s promotions for the show. “We will have some extremely attractive offers on Mimaki’s latest technology during the show,” confirms Mitchell. “The exhibition is an excellent opportunity for companies to explore our printers and benefit from competitive pricing too.”
Hybrid is using the exhibition to not only celebrate its 20th birthday, but to launch two important new printers for Mimaki – the much-anticipated 3.2m LED UV UJV55-320 roll fed machine that saw its European launch in March and the mid format UJF-7151plus flatbed that offers a unique combination of ultra-high quality and productivity. The company will also show the MTEX Blue all in one dye sublimation printer with inbuilt fixation for the first time, along with core sign and graphics solvent printers and integrated printer/cutters.
“We look forward to welcoming partners old and new to the Hybrid stand during the show,” concludes Mitchell. “In our 20th year, we’re as excited as ever about Mimaki’s technology and the opportunity to show all the latest solutions for the sign and graphics market. Our prize draw should be the icing on the cake for what’s set to be a great exhibition.”
Hybrid can be found on stand E10.
To celebrate its 20th year in business, Hybrid - Mimaki’s exclusive UK and Irish distributor - has announced a fantastic free competition for the forthcoming Sign & Digital UK exhibition. Visitors who partake in a Mimaki printer demonstration with one of the company’s authorised resellers during the show will receive a ‘Sporting Ticket’ that could win them a holiday at Club La Manga in southern Spain, worth up to £5,000.
“With a big summer of sport ahead of us, we thought our competition was a great way to get people in the mood,” says Hybrid director; Peter Mitchell. “It was a privilege to experience Mimaki celebrating its 40th year in 2015 and we’re enormously proud that Hybrid is turning 20 years old in 2016. Sign & Digital UK is the perfect occasion to kick things off with a prize like this.”
Hybrid’s Sporting Tickets not only enter visitors into the competition, but also ensure their involvement in the company’s promotions for the show. “We will have some extremely attractive offers on Mimaki’s latest technology during the show,” confirms Mitchell. “The exhibition is an excellent opportunity for companies to explore our printers and benefit from competitive pricing too.”
Hybrid is using the exhibition to not only celebrate its 20th birthday, but to launch two important new printers for Mimaki – the much-anticipated 3.2m LED UV UJV55-320 roll fed machine that saw its European launch in March and the mid format UJF-7151plus flatbed that offers a unique combination of ultra-high quality and productivity. The company will also show the MTEX Blue all in one dye sublimation printer with inbuilt fixation for the first time, along with core sign and graphics solvent printers and integrated printer/cutters.
“We look forward to welcoming partners old and new to the Hybrid stand during the show,” concludes Mitchell. “In our 20th year, we’re as excited as ever about Mimaki’s technology and the opportunity to show all the latest solutions for the sign and graphics market. Our prize draw should be the icing on the cake for what’s set to be a great exhibition.”
Hybrid can be found on stand E10.
Visitors to Sign and Digital UK 2016 can win a luxury night’s stay in a 5-star hotel in Bruges with £250 travel/spending allowance from Colourgen and Mutoh.
SA International (SAi) has announced the release of a free Version 12 download for all existing licenses of the SAi FlexiPRINT HP Latex Edition software.
Lightbar roll to roll UV print technology will be demonstrated on the Roland DG stand at Sign and Digital UK once again this year.
Roland DG will be joined on their stand (H30) by several users who will share experiences of working with Roland technology to broaden their business offering or deliver demanding requirements.
Impression Technology Europe (ITE) will be demonstrating the power of in-house digital label printing at the at the Food & Drink Expo show at NEC Birmingham.
Marshall Signs, one of the first UK-based print businesses to try Nazdar 702 series UV inkjet inks, remains a very satisfied customer a number of months on.
Drytac Europe, an international manufacturer of self-adhesive materials for the print, label and industrial markets, has announced its plans for Sign & Digital UK 2016.
Stanford Marsh Group Graphics, the commercial graphics division of Stanford Marsh Group, will be focusing on the latest HP PageWide printers at Sign & Digital UK.
Print specialist i-Sub will be presenting a range of wide-format print, packaging, textile and finishing technology on Stand F10 at Sign & Digital UK 2016.
Print specialist i-Sub will be presenting a range of wide-format print, packaging, textile and finishing technology on Stand F10 at Sign & Digital UK 2016.
In his latest blog, Mike Horsten, General Marketing Manager EMEA at Mimaki Europe B.V., discusses the value of printing glass:
The world of cosmetics is the place to show off, often with fancy printed bottles and glass containers whose value is higher than the contents inside.
Yes, the container has been more important to this industry than any other. With a good-looking bottle, you can sell more; with a good fragrance in an ugly bottle, the sales are likely to be low and unprofitable.
This presents a great opportunity for digital print. Today, the cosmetics industry is facing the challenge of what I call the “Personal Luxury feeling.” The ability to buy your own personalised cosmetics or perfume containers will be a big trend in the not-too-distant future. Just imagine a standard bottle with the print different for each customer! It is a new sales and marketing strategy that will change the cosmetics industry. It would drive profits up, since many consumers would pay extra for this service.
But there are some problems, of course, or perhaps it would already be a widespread practice. Glass printing is not easy; the print needs to be able to withstand alcohol and rubbing tests, the print needs to be human safe, and it needs to be very clear and sharp. The reason for the clarity and sharpness is the large amount of fine text that is needed on a cosmetics product, including the ingredients, shelf life and the barcode for the product; they all need to be sharp and straight. Printing on a flat surface is easy; but most bottles are round, so there needs to be a simple way to print on round objects. Some products are in big containers and some are in small round ones, like mascara or liquid foundation. So there are some hurdles to overcome. In addition, many of the caps for these products are made of plastic, which presents yet another challenge.
Traditionally, printing on glass was done via tampon/pad silkscreen printing. This process requires a new print for each colour, which is why you see so many cosmetics products with only one colour print, mostly white. Using more colours is difficult due to the fact that you need to line up the different colours and you would have to use halftone screens to get the job done. I’m not even speaking of the registration problems one would face between colours. On a round object, this would be a real nightmare. Then you need to know that the current generation of primer and/or inks that are used have been specially made for glass printing, specifically for good adhesion to the glass object. Another problem is that the glass is moved through the filling machines after it has been printed, so there is always a risk that the print will be scratched or damaged, making the container unsellable. To address this risk, most printers put a large amount of ink on the container to make sure it stays on. This can be seen on most cosmetics products on the shelf today.
With a digital printing system, we can eliminate most of these problems. First, we can print in 16.8 million colours in contone mode, giving us nice photographic quality. We can add a varnish layer for protection of the print, and we can make each bottle personal. We can print them on demand, so no big production runs would be needed, saving huge amounts in inventory costs and improving cash flow. For printing on flat surface bottles and containers, this is already being done today, used by many of the larger brands for their specials and personalised holiday gifts, using products like our UJF Series printers. We have printed cosmetics boxes and containers around the holiday times in places like department stores such as Harrods in London, and in many airports around the world. Live printing, just wait 10 minutes and your personal product is ready. But this has always been a promo print, a “now or never” type of deal, and it certainly is not a common practice today. Although it has been very successful, it does not solve the production problems for small batches that need to be printed around the world. Did you know that there are more than 50 standards for the labelling of cosmetics products in the world? The languages, the legislation and the fine print are different from jurisdiction to jurisdiction. Customising the packaging translates to unsustainable costs for high-street brands whose expensive perfumes and cosmetics might be produced in low volumes with diverse content.
We have been working on a solution for these problems together with the primary players using the new generation of UV-LED curing flatbed Mimaki printers. We have developed new inks and printable primers that can be used to print on glass. Although there are always some extra requirements needed for printing directly on glass, we have solutions like external primers that help minimise those challenges. The biggest challenge, though, was printing on round objects. This has never been easy, but with the addition of our optional Kebab solution, we are now able to print on round objects with a diameter ranging from 1 cm to 11 cm. This means you can print just about all types of bottles and containers with one printer. The examples are numerous and the applications endless. The funny thing is that you can even print customised content on the boxes containing your special product. Our UJF7151 Plus was made for an industrial market that demands high-speed production and quality all at the same time.
Working on the development of new and faster printers for the industrial glass print markets has brought some challenges to the marketplace, but we have a viable, affordable solution available today that will help to begin this exciting packaging transformation.
So next time you look at a cosmetics or perfume bottle, think about how it would look without print. Or better yet, visualise it customised especially for you with text or images of your choosing. As I said, “What’s a bottle without a title?”
Let’s Create Together
Mike Horsten, General Manager Marketing EMEA @ Mimaki Europe
In his latest blog, Mike Horsten, General Marketing Manager EMEA at Mimaki Europe B.V., discusses the value of printing glass:
The world of cosmetics is the place to show off, often with fancy printed bottles and glass containers whose value is higher than the contents inside.
Yes, the container has been more important to this industry than any other. With a good-looking bottle, you can sell more; with a good fragrance in an ugly bottle, the sales are likely to be low and unprofitable.
This presents a great opportunity for digital print. Today, the cosmetics industry is facing the challenge of what I call the “Personal Luxury feeling.” The ability to buy your own personalised cosmetics or perfume containers will be a big trend in the not-too-distant future. Just imagine a standard bottle with the print different for each customer! It is a new sales and marketing strategy that will change the cosmetics industry. It would drive profits up, since many consumers would pay extra for this service.
But there are some problems, of course, or perhaps it would already be a widespread practice. Glass printing is not easy; the print needs to be able to withstand alcohol and rubbing tests, the print needs to be human safe, and it needs to be very clear and sharp. The reason for the clarity and sharpness is the large amount of fine text that is needed on a cosmetics product, including the ingredients, shelf life and the barcode for the product; they all need to be sharp and straight. Printing on a flat surface is easy; but most bottles are round, so there needs to be a simple way to print on round objects. Some products are in big containers and some are in small round ones, like mascara or liquid foundation. So there are some hurdles to overcome. In addition, many of the caps for these products are made of plastic, which presents yet another challenge.
Traditionally, printing on glass was done via tampon/pad silkscreen printing. This process requires a new print for each colour, which is why you see so many cosmetics products with only one colour print, mostly white. Using more colours is difficult due to the fact that you need to line up the different colours and you would have to use halftone screens to get the job done. I’m not even speaking of the registration problems one would face between colours. On a round object, this would be a real nightmare. Then you need to know that the current generation of primer and/or inks that are used have been specially made for glass printing, specifically for good adhesion to the glass object. Another problem is that the glass is moved through the filling machines after it has been printed, so there is always a risk that the print will be scratched or damaged, making the container unsellable. To address this risk, most printers put a large amount of ink on the container to make sure it stays on. This can be seen on most cosmetics products on the shelf today.
With a digital printing system, we can eliminate most of these problems. First, we can print in 16.8 million colours in contone mode, giving us nice photographic quality. We can add a varnish layer for protection of the print, and we can make each bottle personal. We can print them on demand, so no big production runs would be needed, saving huge amounts in inventory costs and improving cash flow. For printing on flat surface bottles and containers, this is already being done today, used by many of the larger brands for their specials and personalised holiday gifts, using products like our UJF Series printers. We have printed cosmetics boxes and containers around the holiday times in places like department stores such as Harrods in London, and in many airports around the world. Live printing, just wait 10 minutes and your personal product is ready. But this has always been a promo print, a “now or never” type of deal, and it certainly is not a common practice today. Although it has been very successful, it does not solve the production problems for small batches that need to be printed around the world. Did you know that there are more than 50 standards for the labelling of cosmetics products in the world? The languages, the legislation and the fine print are different from jurisdiction to jurisdiction. Customising the packaging translates to unsustainable costs for high-street brands whose expensive perfumes and cosmetics might be produced in low volumes with diverse content.
We have been working on a solution for these problems together with the primary players using the new generation of UV-LED curing flatbed Mimaki printers. We have developed new inks and printable primers that can be used to print on glass. Although there are always some extra requirements needed for printing directly on glass, we have solutions like external primers that help minimise those challenges. The biggest challenge, though, was printing on round objects. This has never been easy, but with the addition of our optional Kebab solution, we are now able to print on round objects with a diameter ranging from 1 cm to 11 cm. This means you can print just about all types of bottles and containers with one printer. The examples are numerous and the applications endless. The funny thing is that you can even print customised content on the boxes containing your special product. Our UJF7151 Plus was made for an industrial market that demands high-speed production and quality all at the same time.
Working on the development of new and faster printers for the industrial glass print markets has brought some challenges to the marketplace, but we have a viable, affordable solution available today that will help to begin this exciting packaging transformation.
So next time you look at a cosmetics or perfume bottle, think about how it would look without print. Or better yet, visualise it customised especially for you with text or images of your choosing. As I said, “What’s a bottle without a title?”
Let’s Create Together
Mike Horsten, General Manager Marketing EMEA @ Mimaki Europe
MTEX will be celebrating a year of outstanding growth and innovation at Sign & Digital UK 2016 by showcasing the high speed version of its MTEX 5032 printer.
Tecnau’s CutReady solution will showcase its ability to cut and stack output from HP Indigo Digital Presses during several HP Indigo events in Israel, and then at drupa.
USA-based Nazdar SourceOne is pleased to announce the addition of Sam Evans and Jordyn Ruhnke to the Nazdar SourceOne Inside Sales team.
Roland DG was again recognised as the leading wide-format printer manufacturer in the durable graphics market for 2015 in a recent report by InfoTrends.
Roland DG has announced it will be hosting a wide range of informative presentations at this year’s premier print and signage show, Sign & Digital UK 2016.
Sign & Digital UK, the country’s leading trade exhibition for the sign, display and print industry, today announces the full programme for its new 'become a wrap expert' workshop.
Visitors to this year’s Sign & Digital UK should be sure to bring a bucket and spade with them – and a sweet tooth.
Textile and wallpaper specialist Lewis and Wood are the first UK company to take delivery of the MTEX Blue with Pigments inks.
Roland DG enjoyed a highly successful FESPA Digital with the global launch of its latest generation of integrated print and cut devices - the TrueVIS VG Series.
HEXIS UK will be showcasing a wide range of new products from its four key divisions – sign, digital, automotive and textile - at Sign & Digital UK 2016.
Nazdar Ink Technologies has announced the appointment of Altair Servis MMC as a distributor of its digital ink solutions in Azerbaijan.
Canon will present the Océ Arizona 1280 GT flatbed printer to the UK for the first time at Sign & Digital 2016.
Jim Miller, owner of Millers Decals, USA, has won the prestigious title of World Wrap Master at FESPA Digital 2016.
Sponsored by Avery Dennison and Mimaki, the European leg of the competition, which took place over the first two days of the show attracted 28 competitors from 15 countries and saw Jim named European Wrap Master. He then joined those who had already taken part in Wrap Masters’ events globally for the World Series ‘final battle’ over 10-11 March.
Ruan Greeff, South Africa (Wrap Master Africa 2015) and Michael Szwacki, UK, took second and third place, winning prize money of €1,250 and €750 respectively, as well as gift bags. Jim has received €2,500 but more importantly the global recognition and invaluable networking opportunities that taking part in this competition brings.
Wrapping a variety of items, including Audi A1 Sportbacks, clogs and superhero items, the entrants were judged by expert wrappers and trainers; Ole Solskin, Justin Pate, Kiss Lajos (winner 2014/2015) and John Duever.
Duncan MacOwan, Head of Events, FESPA, comments: “This year has been a nail-biting, edge of your seat competition as the calibre of entrants has been so high. There could, however, be only one Wrap Superhero, and Jim’s technical abilities shone through. It’s also been great to see non-competitors learn more about wrapping through the daily workshop sessions, as it’s such a rapidly expanding market offering a host of new opportunities that PSPs can begin to offer their clients.”
[Picture caption - from left to right: Michael Szwacki (UK – third place), Jim Miller (USA – winner), Ruan Greeff (South Africa – second place)]
Jim Miller, owner of Millers Decals, USA, has won the prestigious title of World Wrap Master at FESPA Digital 2016.
Sponsored by Avery Dennison and Mimaki, the European leg of the competition, which took place over the first two days of the show attracted 28 competitors from 15 countries and saw Jim named European Wrap Master. He then joined those who had already taken part in Wrap Masters’ events globally for the World Series ‘final battle’ over 10-11 March.
Ruan Greeff, South Africa (Wrap Master Africa 2015) and Michael Szwacki, UK, took second and third place, winning prize money of €1,250 and €750 respectively, as well as gift bags. Jim has received €2,500 but more importantly the global recognition and invaluable networking opportunities that taking part in this competition brings.
Wrapping a variety of items, including Audi A1 Sportbacks, clogs and superhero items, the entrants were judged by expert wrappers and trainers; Ole Solskin, Justin Pate, Kiss Lajos (winner 2014/2015) and John Duever.
Duncan MacOwan, Head of Events, FESPA, comments: “This year has been a nail-biting, edge of your seat competition as the calibre of entrants has been so high. There could, however, be only one Wrap Superhero, and Jim’s technical abilities shone through. It’s also been great to see non-competitors learn more about wrapping through the daily workshop sessions, as it’s such a rapidly expanding market offering a host of new opportunities that PSPs can begin to offer their clients.”
[Picture caption - from left to right: Michael Szwacki (UK – third place), Jim Miller (USA – winner), Ruan Greeff (South Africa – second place)]
The RA Schools Premiums Interim Projects exhibition took place for the first time in the historic Sackler Wing of Galleries at the Royal Academy. The annual show provides a unique opportunity to view exciting new work by 17 emerging and international artists at the interim point of their postgraduate study at the UK’s longest established art school, the RA Schools. Many of the works on display were produced using Epson technology and media, which are all accessible onsite to the students within the Schools’ Epson-sponsored Digital Media Suite.
Providing the Schools with state-of-the-art large format digital printing, AV projection technologies and specialist media, gives students the opportunity to experiment with a wide range of work incorporating a wide range of practices, from hand-made objects and wallpaper installations to paintings and trompe l’oeil, as well as film, woodcuts, photography, film and sound.
The only free three-year postgraduate course in the UK, the RA Schools programme is tailor-made to the individual student, affording each artist the space and flexibility to develop work across a broad array of media. Epson has been an integral part of the Schools fabric for several years, offering support and guidance to the students and staff, and the freedom to experiment and engage with technologies to produce a diverse range of work.
There was much evidence this year of the creative collaboration between students and Epson technologies, with all of the students having utilised the Epson Digital Media Suite at some point during their study.
This was particularly evident in the works of five of the artists on show:
Mark Hampson, Head of Fine Art Processes at the RA Schools, who along with his specialist team is responsible for facilitating the students creative ambitions in the RA workshops, says of this group of students: "Our students never cease to surprise me in their creativity and the manifestations of their uses and abuses of the technology and equipment we are able to offer them at the RA Schools. They constantly surprise with their use of the available resources and the ambition with which they can apply these in their Art. This year’s Premiums is an amazing example of the strength of our collaborative project with Epson. Without Epson's support and the sponsorship of equipment and its technical knowledge, many of these artworks would not have been conceivable.
Epson offers us the means and conceptual virtuosity to think laterally about technology and the implications and effects of our digital age. They do this with wonderful generosity and complete trust, often knowing that the resulting artistic consequences may be bizarre, unexpected, un-commercial but always exciting. I cannot think of a more positive way for industry and art education to collaborate and support each other."
Further information on the RA Schools and upcoming events: www.royalacademy.org.uk/page/the-ra-schools
[Image by Andy Keate.]
Mimaki has announced the introduction of a brand-new 3.2m roll-to-roll inkjet printer.
Mimaki has announced the introduction of a brand-new 3.2m roll-to-roll inkjet printer.
HP Inc. today introduced the HP Scitex 9000 Industrial Press and HP HDR245 Scitex Inks, enabling industrial production speeds at an entry-level investment.
Quality Print Services (QPS) has announced its full line-up for Sign and Digital UK (April 19th to 21st 2016) with a range of brand new Nazdar inks on show.
As part of QPS's largest ever Sign and Digital UK stand (72sqm, stand number L10), new Nazdar 130 Series inks will run on a Mimaki JV300 wide-format ink-jet solvent printer. Promoted for the first time at FESPA Digital 2016 this March, British audiences will be able to see the
exceptional compatibility and quality of Nazdar 130 Series inks just a few weeks later.
QPS will also demonstrate another new Nazdar formulation for the wide-format sector, the new Nazdar 203 Series inks, which are designed as a colour-matched, plug-and-play alternative to Roland Eco Max 3 inks.
An HP L26500 Latex printer will also be running on QPS's super-sized stand, demonstrating the new Nazdar 285 Series, matched to HP 792 series OEM ink.
Furthermore, QPS will present a taste of its range of energy-efficient and robust LED UV printers from Longier. The Longier Hunter FR3750 offers low-energy yet high-quality printing at speeds of up to 70sqm/hr, while its 2x8 print-head configuration enables printing with process colours, white and varnish. The Hunter FR3750 will also be running Nazdar high-quality digital inks.
"We anticipated a flurry of new Nazdar ink releases this spring and booked our biggest ever Sign and Digital UK 2016 stand – 72sqm – with the intention of showing as many as possible," says Chris Bailey, Managing Director of QPS. "Nazdar digital inks are known for their cost effectiveness and our customers report saving significant sums on consumables costs each month. But we will also be demonstrating their quality, colour vibrancy, adhesion and durability on both market-leading printer systems and on our excellent Longier flatbed printer range."
QPS is also pleased to announce that it has been appointed as a reseller for Vivid Technologies, meaning it now supplies the full Easymount range of wide-format film laminators. QPS representatives will be on hand at Sign and Digital UK to give attendees information on the whole Easymount range, from entry-level models to heavy-duty thermal systems designed for 24-7 operation.
QPS will exhibit on stand L10 at Sign and Digital UK 2016. To book a meeting or for more information about QPS's large-format print products and services, please email sales@qualityprintservices.com or call 01704 897575.
For more information on Nazdar and its comprehensive range of ink solutions, please visit www.nazdar.com.
Following the recent launch of the SureColor SC-S Series of wide-format inkjet printers, Epson announces the introduction of Epson Control Dashboard.
HP Inc. today announced that the HP PageWide XL 8000 Printer has been honoured with the prestigious 2016 iF Gold “Best of Best” Design Award.
Mimaki will showcase innovative packaging ideas for the cosmetics industry at Cosmopack in Italy and general packaging and promotional items at Sign & Digital UK.
Mimaki will showcase innovative packaging ideas for the cosmetics industry at Cosmopack in Italy and general packaging and promotional items at Sign & Digital UK.
Antalis UK has launched a new 108-page guide to its full range of sign and display products, featuring many new products. In a market that is constantly evolving, the guide - which is aimed to help customers in the selection of substrates for different applications - includes every product offering from PVC, large format papers and finishing products. In addition, it presents visual representations of the possible applications for each substrate, helping printers identify how each product can be printed to obtain the best results, along with fire and slip ratings making it easier than ever to select the right product.
The guide includes Antalis's full and extensive range, including familiar brands such as 3A, Drytac, Priplak and Orafol; the pan-European Coala range of large format digital media; and an exciting range of wall-coverings from Graham & Brown, showcasing a variety of creative embossings and finishes. Recently launched and also included in the guide is Dispa board – 3A’s new 100% recyclable FSC board with a unique embossed core, making it rigid, sturdy and flat.
Commenting on the launch of the guide, Mike Collins, Sign & Display Product Manager says: “In a market where more and more printers are diversifying their capabilities and branching out in to large format production, this guide will be invaluable to those looking for help in selecting the best product for their applications.”
Mike continues: “We have worked hard to build a strong portfolio of sign and display products so customers can source everything they need, quickly and efficiently from one supplier.”
A hard copy of the Guide can also be obtained by contacting the local Antalis sales office or by calling 0370 607 9014.
Drytac Europe, an international manufacturer of self-adhesive materials for the print, label and industrial markets, has announced ViziPrint Illuminate.
Nottingham-based specialist distributor, Artsystems, has announced the arrival of Xativa’s cost-effective and high quality 3D Filament to the UK market.
HEXIS UK Ltd. has announced new PVC-free eco-friendly films for digital printing and signage applications.
Cheshire-based printers, Print On, has really graduated to a different league in recent months with a move to impressive new 6,000 sq. ft. premises on Lawnhurst Industrial Park in Cheadle. The company’s future ambitions are evident as you walk through the front door past a well-appointed boardroom and customer meeting room, to be faced with a large modern reception area, beyond which stretches a very impressive open-plan print hall.
The first thing that strikes you is the tidiness of the whole place – open plan work areas can certainly expose a company’s weaknesses to visitors, but not here; Print On is more than happy to lay its soul bare and proud to let its customers see exactly how the company operates.
With a core staff of just 8 people, it’s obvious that efficiency is the name of the game, with each member of the team having clear focus and direction and being more than capable of multi-tasking, including the family directors of the business, who are remarkably hands-on. As Managing Director, Alex Oldfield explains, “We’re a tight-knit family business. I get amazing support from my father and mother in their respective roles of Marketing Director and Financial Director and none of us shy away from getting our hands dirty – we take real pride in what we do and get involved on a daily basis in every aspect of the operation.”
The impressive premises suggest that the business is prospering in what many still consider to be a challenging economy, so how has Print On managed to develop so successfully? Alex’s father Keith is confident in his response: “We’ve always believed our two key assets to be our staff and the equipment we use and there’s been no shortage of investment in either.”
Print On has traditionally based much of its production capability around its impressive arsenal of four Xerox Versant digital printers, but became increasingly aware that the ability to offer a more diverse range of print services would be crucial to retaining existing customers and also developing new revenue streams. As Alex explains: “Some of our larger retail customers with whom we have really close relationships were placing their PoS or other wide format print requirements with other print providers. We really needed to equip ourselves to meet what seemed to be a growing demand in the sector. Investment in a Mimaki JFX200 flatbed and a brace of Mimaki JV300 production solvent printers sourced through our long-standing relationship with Mimaki reseller Granthams of Preston has really enabled us to stretch our legs and start producing a much wider range of products for our customers.”
Alex cites this significant upturn in business as the catalyst for the move to new premises in January of this year. “We spent a couple of months at the end of last year decorating and refitting the premises to meet our specific requirements and this included a dedicated wide-format area in a separate part of the building to house the array of new Mimaki kit.”
The team’s wide-format specialist, Matt Peters can’t speak highly enough of his new charges as his experience of working with them expands. “I’ve previously worked with other wide-format flatbeds which I’d always felt to be perfectly adequate. But the more I use the Mimakis, the more impressed I am with their performance – the print quality and the speed just blows me away! We hardly ever need to use the highest quality setting on the JFX200, as even in fast production mode the quality is really quite exceptional. I’m regularly printing 8’ x 4’ rigid boards with full ink coverage in around 20 minutes, at a highly acceptable print quality.”
As for the JV300s, Matt enthusiastically describes them as “real workhorses and ultra-reliable.” These two machines have obviously been earning their keep at Print On as evidenced by the fact that under the ink cartridge re-cycling scheme operated by Mimaki’s UK and Ireland distributor, Hybrid Services, over 400 empty 440ml solvent ink cartridges have been re-cycled in less than 12 months operation.
There’s a real buzz about the new premises as everyone seems to be focused on maximising the potential of the heady blend of a mighty impressive kit list and a comfortable and spacious working environment. Customers seem equally impressed, with increased levels of business coming from longstanding clients including many major multi store retailers, as well as a number of new high-profile clients.
As a large printed sign in the Press Hall declares: “Impossible is not a fact. It’s an opinion. Impossible is not a declaration. It’s a dare. Impossible is potential. Impossible is Nothing.” … great words from the great Muhammad Ali. Clearly the small and enthusiastic team at Print On is more than up for a challenge with the confidence that new equipment and premises has brought them.
Further information about Print On's services can be found at www.printonuk.com.
Mimaki's full product range can be found via its UK and Irish distributor, Hybrid Services at www.hybridservices.co.uk.
[Photo caption: The Print On team with directors Keith and Alex Oldfield pictured centre]
HP has announced that it will exhibit the industry’s broadest portfolio of digital printing solutions at drupa 2016.
The recent Irish Print Awards saw Addprint win the Luxury Packaging Printer of the Year award for its cosmetic beauty box project for Bourjois Paris.
Soyang Europe returns to Sign & Digital UK 2016 to introduce its new collection of interior decoration materials alongside its textile, signage and graphics ranges.
Roland DG announces details of an exciting collaboration with leading surface pattern designer, Rachael Taylor at FESPA, Amsterdam.
Sign & Digital UK 2016 will see a series of new product launches from exclusive UK and Irish Mimaki distributor, Hybrid Services Ltd, including an LED UV printer making its first outing in the sign and graphics industry. In addition, Hybrid will also be showing the MTEX Blue all-in-one dye sublimation printer on its stand situated at the entrance to the exhibition.
“Visitors to Sign & Digital UK will witness the very newest technology the minute they walk through the door of the show,” says Hybrid’s National Sales Manager for Industrial Products, Stuart Cole. “Our new UJF-7151plus LED UV printer will be one of the first machines they see, so we’re excited to set the tone for what we’re sure will be a fantastic show.”
The Mimaki UJF-7151plus is a mid-format flatbed printer that features exceptionally detailed output coupled with low running costs. With a 710x510mm bed size and industrial construction, consistently high print quality is ensured, making it appealing to screen printers looking for a digital solution that can increase their flexibility as well as quality.
Hybrid is to also show the MTEX Blue dye sublimation printer on its stand for the first time. “The buzz around soft signage and textile printing continues to increase,” says Hybrid’s National Sales Manager for Textile & Apparel, Stephen Woodall. “The MTEX Blue has Mimaki technology at its core and offers a solution that incorporates fixation, enabling users to print and cure dye sublimation ink onto polyester in one process.”
Firmly targeted at the retail PoS, display graphics and exhibition sectors, the new system should see considerable interest at the show, as Woodall concludes: “Companies looking at investing in dedicated textile hardware for the first time will find the ideal solution in the MTEX Blue – it’s easy to use, delivers a vibrant and long lasting print direct to polyester and opens whole new revenue streams for signmakers and print providers.”
Also featuring on the Hybrid stand will be Mimaki solvent printers and printer/cutters, as the company’s National Sales Manager for Sign & Graphics, John de la Roche outlines: “I’m confident we’ll have a solution on the stand for everyone – from start-ups visiting the show for the first time to seasoned professionals. For example, Mimaki’s CJV150 range of printer/cutters is incredibly well priced yet sports features far in advance of even its closest competitor and the range doesn’t stop there!”
Hybrid can be found on stand E10 at the show. Companies wishing to receive more information beforehand can contact the company by visiting www.hybridservices.co.uk.
[Image shows Mimaki UJF-7151plus printer]
Macclesfield Rugby Union Club is competing in the 2015/16 season with the benefit of sponsorship from local textile print specialist and Mimaki reseller, R A Smart.
Macclesfield Rugby Union Club is competing in the 2015/16 season with the benefit of sponsorship from local textile print specialist and Mimaki reseller, R A Smart.
Antalis UK is to display and demonstrate its largest ever range of sign and display solutions at Sign & Digital UK, 19-21 April, NEC Birmingham, stand L20.
Supplier of digital textile sublimation equipment and consumables, Sabur Digital has been appointed as a Mimaki reseller by UK and Irish distributor, Hybrid Services.
Supplier of digital textile sublimation equipment and consumables, Sabur Digital has been appointed as a Mimaki reseller by UK and Irish distributor, Hybrid Services.
Nazdar Ink Technologies has announced the debut of a number of new inks at FESPA Digital 2016, scheduled to take place at The Amsterdam RAI Exhibition Centre in The Netherlands.
Drytac Europe has announced its plans for FESPA Digital 2016.
Roland DG has today launched its Roland DG Roadmap, a new website designed to enable Roland DG users and potential clients to discover upcoming event listings.
Dublin-based IQ Group recently added a Mimaki JV300-160 and CG-160FXII to its portfolio of printing hardware through authorised Mimaki reseller, Reprocentre, and the company is 'delighted' with the investment.
The IQ Group is a vibrant company in every sense of the word. From the vivid and high quality print it produces, the positive energy and growth it has experienced since it formed 5 years ago, and even through to the dynamic team and bright and quirky premises, it’s a colourful company. So it’s not surprising that, when they decided to expand their hardware portfolio, the Mimaki JV300-160 solvent printer was befitting of a place in the company's print room.
“Quality is key to IQ,” explains one of the company’s Directors, Gary Upton. “The Mimaki JV300 provides great print quality and continuity of colour every time, regardless of changes in temperature, giving us the ability to colour match perfectly. We’re a reactive company; we offer a fast turnaround for our customers and the JV300 fits right in here giving us speed and flexibility. We’ve been really impressed.”
IQ, or Image Quest as it was formally known, originally started out as a print management service and signage company, but quickly evolved to incorporate in-house print production to make them more cost effective, offer faster turnaround times and give their customers more security and confidentiality. “We offer the complete workflow in-house,” continues Upton. “We have a creative design studio, a highly-productive print department and a team of installation experts, so we can guarantee a premium service and products every time. We do a vast amount of contract work and we need to be consistent on every level, including superior print output, which is exactly what we get with the JV300.”
IQ made the investment in the Mimaki JV300 through authorised Mimaki reseller Reprocentre. Reprocentre's Sales Director Eoin Honan explains: “We’ve provided a variety of hardware and materials for IQ over the last few years, but when they came to us looking for something to increase their productivity without compromising on quality or colour gamut we recommended the Mimaki JV300 solvent printer. It is super-fast and the SS21 solvent inks mean beautiful bright blocks of colour aren’t an issue. We also supplied a Mimaki bulk-ink system (MBIS) with the JV300 which gives IQ higher production levels by running the printer overnight and unattended on long runs.”
Further information about IQ Group is available via its website www.iqgroup.ie.
Further information about Reprocentre and its products and services can be found at www.reprocentre.ie.
Full details of Mimaki’s product portfolio is available via its Irish and UK distributor, Hybrid Services Ltd at www.hybridservices.co.uk.
Zünd UK has announced the launch of Prep Center workflow software in the UK, with immediate availability.
Nexvision completes a successful Christmas period after installing a second Roland VersaEXPRESS RF-640 running Nazdar TX-650 dye-sublimation inks, supplied by QPS.
i-Sub Digital announced that it will be showing the new Mimaki UJF-7151plus printer for the first time in the UK at the Packaging Innovations show.
New Jersey Search and Rescue (NJSAR) installed an HP DesignJet T2500 Multifunction Printer (MFP) to produce large-format maps to aid in search-and-rescue missions.
Hybrid Services Ltd. has teamed up with the UK’s foremost motorsport engineering education establishment, Oxford Brookes University, in a partnership set to take wide format print to a whole new audience. As part of its increasing commitment to supporting young people in print, Hybrid has created the Mimaki Vehicle Wrap Lab, supplying a Mimaki wide format printer, cutting plotter and software package to the University in a relationship intended to provide hands-on experience, expert tuition and a commercial understanding of vehicle wrapping, branding and liveries to undergraduate race engineers set for high profile roles in Formula 1 and other avenues in professional motorsport.
Also involved in the project are material supplier Metamark and expert vehicle wrapper Jason Price, whose employment within the Corbeau Seats group allows him opportunity to provide design, wrapping and installation services for a vast array of clients within the motorsport industry.
“The project is all about making these highly talented engineering undergraduates better aware of some of the commercial requirements within motorsport,” says National Sales Manager for Sign & Graphics at Hybrid, John de la Roche. “However you look at it, motorsport rotates around sponsorship and the importance of getting a professional looking message on and around the cars cannot be underestimated. Mimaki’s range of wide format printing solutions already has a strong presence in vehicle wrapping at all levels – and current F1 teams have been investing in their own Mimaki systems for years but we were keen to provide an opportunity at an early stage of these people’s careers.”
The motorsport engineering students at Oxford Brookes take part in the global Formula Student series of races. These cars mimic scaled down, single seater F1 models – so still boast highly developed aero packages, telemetry systems and cutting edge mechanical engineering.
“It’s the job of the vehicle wrapper to make the car look fast but, additionally, vehicle graphics provide corporate identity making the vehicle look professional,” says Price. “It’s unusual to give this responsibility to the engineers, but in this instance, they’re getting first-hand experience of what’s involved, so it should stay with them throughout their careers.
“There are also sound technical benefits to wrapping a car rather than painting it,” Price continues. “The weight savings are huge so it’s an easy sell on purely technical grounds – let alone the benefits of how the team presents itself.”
Metamark is supplying a range of media to the project along with providing expert advice on additional opportunities for display graphics. “The new MD-X Cylinder cast film is ideal for the students to be using on the cars,” says Samantha Daulton, regional sales manager for Metamark “We’ve also provided our RU500 LayFlat rollup material for use within the Mimaki Vehicle Wrap Lab along with wallpaper and digital frost etched window film.”
Daulton has spent time at Oxford Brookes guiding technicians within the department on best practice with the Metamark product range and Head of Mechanical Engineering and Mathematical Sciences at the University.
Professor Gareth Neighbour, stresses the importance of the mentoring provided by the various partners: “We’re immensely proud of the incredibly high standards of technical tuition on offer to our students, but we’re not afraid to admit that we’re completely new to wide format printing and all that goes with it,” confirms Neighbour. “The extensive training and support from Hybrid and its partners has very swiftly allowed our teaching staff and technicians to get to grips with the technology and offer an exciting new component to our degree and masters courses.”
“We pride ourselves in having the highest percentage of alumni in Formula 1 of all the universities and the development of the Mimaki Vehicle Wrap Lab has added yet another string to our students’ bows, being of great interest at the recent Autosport International show,” says Neighbour.
Oxford Brookes’ impressive facility bears more than a passing resemblance to the HQ of a motorsport team with a vast array of tooling, engineering equipment and testing instruments alongside memorabilia and former race cars and the Mimaki Vehicle Wrap Lab’s central position enables passers-by to see the printing process in operation.
“Bringing vehicle wrapping and branding into the heart of the Technology Centre really helps to remind the students of the importance of how they present themselves and their teams,” concludes Brian Sims – Oxford Brookes MEMS Advisory Board Member, Former Marketing Director of the Benetton F1 Team and Founder and Honorary Life Member of the prestigious Motorsport Industry Association “Having been involved in this project from the outset, I’m delighted to see how the students are already embracing it and using it to their benefit.”
The Mimaki Vehicle Wrap Lab is located at the University’s Wheatley Campus from where Oxford Brookes Racing competes in the global Formula Student series and has over 4,000 followers on its Facebook page. The university offers undergraduate and masters degree courses in motorsport engineering, automotive engineering and motorsport technology along with many others within its Department of Mechanical Engineering and Mathematical Sciences – further information of which can be found by visiting www.mems.brookes.ac.uk.
For all of Mimaki’s latest products and consumables visit UK and Irish distributor, Hybrid Services Ltd’s website www.hybridservices.co.uk.
[Picture captions - Above: Oxford Brookes students wrapping a wing mirror. Below: In the Mimaki Vehicle Wrap Lab (from L to R): Malcolm Evans - Hybrid Services, Dr Neil Fellows - Oxford Brookes University, Prof Gareth Neighbour - Oxford Brookes University, Terrance Floyd - Oxford Brookes University and Jason Price - Corbeau Studio.]
Lineker Machines is returning to the Printwear & Promotion LIVE exhibition at the NEC from Sunday 28th February to Tuesday 1st March 2016.
Canon UK has announced the launch of two new entry-level large format multi-function printers (MFPs).
Roland DG will be holding a New Product Creative Centre Open Day at its HQ in Clevedon on Tuesday 23rd of February 2016 from 8am-4pm.
Mimaki has announced it will have a significant presence at FESPA Digital 2016, scheduled for 8th – 11th March 2016 in Amsterdam.
Roland DG has confirmed that it's set to return as an exhibitor to Sign & Digital UK, which is taking place on 19th - 21st April 2016 at the Birmingham NEC.
Canon Europe has announced the global launch of the Océ Arizona 1200 Series of UV flatbed printers.
At Fespa Digital, Epson will show its latest range of SureColor aqueous, solvent and dye-sublimation inkjet printers.
Mimaki has announced that a light black ink will be added to its range of SB410 sublimation ink spot colours from February 2016. The light black joins the recently released neon yellow and pink fluorescent inks, which are ideal for low-volume, high-quality use in fashion and sportswear and swimwear.
The addition will expand apparel production possibilities for users and will increase the versatility of the TS300P-1800 wide format printer, a dedicated dye sublimation inkjet printer for apparel and textile applications. The new light black inks will be available in two litre ink packs and the TS300P-1800 is scheduled to demonstrate some of the innovative and creative capabilities of the inks at FESPA Digital 2016 in Amsterdam, in Hall 1 on Stand E15 from 8th – 11th March.
“These new spot colours can add real value to fashion and sportswear,” states Stephen Woodall, National Sales Manager for textile and apparel, at Mimaki’s exclusive UK and Irish distributor, Hybrid Services Ltd. “The new light black improves the already high print quality, enhancing photographic images and gradations even further. Alongside the fluorescent pink and yellow inks, users now really have the capability to create highly unique garments.”
Woodall concludes: “The fluorescent samples we have produced on the Mimaki TS300P-1800 are spectacular, so we anticipate that combining this with the new light black will deliver even more eye-catching output. We look forward to demonstrating this to visitors to FESPA Digital in March.”
Onyx Graphics has announced full support for the recently launched Epson SureColor® SC-S printers, through its proven wide-format print software. The Epson SureColor SC-S Series includes the SC-S80600, SC-S60600 and SC-S40600 models.
According to Epson, this new range of professional 64-inch signage printers combines robust engineering with new design and production features to deliver market-leading quality at the fastest possible speeds, precise repeatability and long-term durability. The new range gives print service providers a choice of printers to suit their specific production needs from 4-10 colours (including white and metallic) and up to 95.3sqm/hr of single-pass productivity.
ONYX software takes full advantage of the SC-S80600 printers’ unique capabilities, including support for 9/10 colour printing, using CMYKLcLmLk plus red and orange inks, as well as full support for white and silver ink configurations.
Specifically developed to make wide-format printing faster, predictable and more affordable, ONYX 12 software – which drives the entire SureColor SC-S Series printer line – enables print operators to print jobs right the first time. ONYX 12 software utilises the power of a next-generation, all 64-bit platform to harness full processing capabilities, delivering not just faster speeds but greater responsiveness as well. This version includes a redesigned user interface for easier navigation making it simple to find, view and edit jobs quickly. With new finishing tools, such as bleed and mark placement combined with full 64-bit processing, ONYX 12 software delivers the printing speed and finishing capabilities needed for the ideal Epson SureColor printing environment.
For more information, please visit www.onyxgfx.com.
Roland DG has announced an exciting special conversion deal to existing Roland DG customers when they upgrade to ECO-SOL MAX 3.
Mimaki Engineering Co., Ltd. announced it has concluded the basic agreement on purchasing stocks of an Italian company La Meccanica Costruzione Tessili-S.P.A. on December 16, 2015.
Zünd Systemtechnik is pleased to present the latest high-performance, ultra-versatile digital cutting solutions at Fespa Digital 2016.
Large Format Review Editor Derek Pearson recently attended the UK launch of Epson’s new 64-inch SureColor SC-S printers. Here's what he says:
Epson’s new 64-inch SureColor SC-S printers − designed to deliver quality, productivity and durability with lower running costs
Unlike some of its competitors, when you buy Epson what you get is Epson. From the robots that assemble them to the individual components from which they’re made, everything in an Epson printer is of Epson design and manufacture, that was the message made loud and clear at the launch of the latest generation of Epson’s 64-inch wide format printers.
At the prestigious Mercedes AMG Petronas Formula One factory, an exclusive group of journalists were treated to the first viewing of the new SureColor SC-S series, each printer designed to offer users a precise and accurate way to create high impact, durable and profitable signage and display graphics. Easy to use and simple to maintain the new range gives print service providers a choice of printers to suit their specific production needs from 4-10 colours (including white and metallic) and up to 95.3sqm/hr single-pass productivity:
SureColor SC-S80600, the top-of-the-range model features dual PrecisionCore TFP (thin film piezo) printheads and 9/10 colours including CMYKLcLmLk + red and orange, and can also be configured to use white or metallic silver. Operators can easily switch between white and metallic ink to suit job requirements. This flexible printer delivers print speeds up to 95.1sqm/hr in single-pass banner mode, and up to 12.5sqm/hr in 8-pass film mode.
SureColor SC-S60600 is said to be ideal for fast turnaround, high print volume environments featuring dual PrecisionCore TFP printheads (CMYKx2) this printer produces high quality vinyl output at 29.4sqm/hr, banners at 52.3sqm/hr and can print up to 95.3sqm/hr for single-pass applications.
SureColor SC-S40600 has been positioned as a perfect printer for high-quality POS graphics and signage. Affordable with a true entry-level price, this four-colour printer features a single PrecisionCore printhead and delivers up to 58.4sqm/hr productivity.
Everything about the design of the new SureColor SC-S series is centred on improving the printing experience for the user and reducing cost of ownership. Set-up is quick and simple and, once printing is in full flow the large clear panel offers a view of the printing area, while internal LED lights allow for easy inspection at the point of printing.
From outdoor signage to high-end interior displays and décor, the range can create stunning results on a range of coated and uncoated substrates. Exhibition displays, posters and backlit panels, POS materials, vehicle wraps, wallpaper and photo canvases are all produced with a high level of accuracy thanks to the printers’ new Precision Media Feeding System.
This facilitates motorised roll-to-roll media handling with an advanced auto-tension control (AD-ATC) system for extremely accurate media feed and take-up. Anti-static, wide-diameter pressure rollers help optimise grip and feed accuracy, while an innovative media path enables consistent media feed for unattended roll-to-roll printing up to roll weights of 45kg.
Maximum uptime and productivity is further optimised by automatic media alignment and setup which allows fast switching between media types. Automatic printhead cleaning, including a newly-developed fabric printhead wiper system, will virtually eliminate printhead maintenance. A daily maintenance job becomes a fast monthly item or less.
Epson’s latest-generation permanent PrecisionCore TFP printheads with variable size ink droplet technology produce consistent 1440 x 1440 dpi output at ‘best in class’ print speeds. In addition, new hardware enhancements offer greater resistance to head strikes and new Precision Dot screening technology help deliver flawless output on difficult media, including cheap monomeric vinyl, even at fast print speeds.
UltraChrome GS3 inks
The new SureColor SC-S range uses Epson’s new formulation quick drying and low odour UltraChrome GS3 inkset. As well as a substantial reduction in ink price for the new printers, Epson has improved the ink chemistry meaning significantly lower ink consumption resulting in a big improvement in total cost of ownership compared to other printer options on the market.
The new printers allow users to produce a wider colour gamut than ever for highly accurate and repeatable colour reproduction. The top-of-the-range SC-S80600 also benefits from the addition of light cyan & light magenta, red, orange, white or metallic silver inks to expand the colour gamut and push application possibilities even further, making it ideal for operators who require accurate brand spot colours. The new SureColor SC-S range is energy efficient and delivers fast drying graphics with high abrasion resistance and prints that are durable outdoors for up to three-years without lamination.
The products come with a two-year warranty and extended warranty options are available. Users can also take advantage of the Epson SureColor Academy for training, useful tips and tricks, plus ongoing support and access to a wide range of regularly-updated media profiles.
In the UK and Ireland, the SureColor SC-S printers are supplied with an Onyx RIP as standard and are compatible with a wide range of other RIPs.
Pricing and Availability
The SureColor SC-S60600 and SC-S40600 replace the SC-S50600 and SC-S30600 models respectively and are available immediately priced from £9,995 + VAT RRP. The SureColor SC-S80600 replaces the SC-S70600 and will be available to buy from March 2016 priced at £16,135 + VAT RRP (10-colour).
For more information visit www.epson-europe.com
[Image captions: Top - New Epson printers launched at the prestigious home of the Mercedes Petronas F1 racing cars, which are sponsored by Epson; Middle - The top of the range SCS 80600 will be launched in March 2016; Bottom - The new, entry-level SCS 40600 and its sister SCS 60600 are available immediately.]
PhotoBox has invested in five new-generation Epson SureColor SC-S60600 64-inch wide-format printers. The company has installed these alongside its existing fleet of 16 SureColor SC-S50600 printers in its UK factory to meet the ongoing growing demand for personalised photo canvases.
PhotoBox is Europe’s leading B2C personalised photo based printing company which puts its considerable success down to inspiration supported by the right combination of product, service, marketing and innovative technology.
Launched in 2000, today the PhotoBox Group encompasses seven brands – PhotoBox, Moonpig, Hofmann, PaperShaker, Sticky9, posterjack and PosterXXL – and employs about 1,000 people worldwide. Its five factories around the world turn digital photos into over 600 different personalised products - including photo canvases - for 30 million members across 20 countries.
James Lawrence-Jones, Group Technical Innovation Director at PhotoBox, is responsible for product and production processes. “Since 2013 demand for photo canvases has grown by 70% year on year and we have expanded our production facilities to keep pace and deliver the very best quality and service to our customers,” says James. “We wanted an ink-efficient printer that would deliver great quality at higher speeds and with maximum reliability and the new SC-S60600 ticks all the boxes. Our manufacturing challenges are unusual because we have to be able to print, finish and despatch a large number of canvases on a day, over 12,000 individual canvases a day 24/7 at Christmas for example, and we have to rely on the very best production equipment to meet our high quality standards and tight deadlines.”
The new, robust SureColor SC-S60600 roll-to-roll printer has been designed to meet the needs of demanding production environments where maximum quality and reliability are key. It uses Epson PrecisionCore permanent printheads in a dual CMYK configuration to deliver outstanding 1440 x 1440 dpi resolution and speeds up to 95.3sqm/hr (single pass) and 52.3sqm/hr (typical banner applications). The sophisticated media feeding system incorporates highly-advanced auto-tension control and wide-diameter pressure rollers to optimise grip and feed accuracy. As a result, operators can load a 45kg roll of media and leave it to print unattended with the confidence that the end result will be perfect.
Very quickly after installation of the new printers, James and his production team were experiencing the benefits. “The SC-S60600 delivers improved print quality at reduced pass rates and offers improved ink efficiency which, when combined with the almost 20% boost in print speeds, results in lower overall production costs,” he says. “The new automated maintenance feature is another benefit,” says James. “It maximises printer uptime and frees up our operators to focus on other tasks to keep the print room running at peak efficiency. Plus, the new improved media loading means accurate media set up is easier and quicker - which allows for long run, unattended printing with the confidence that quality will be consistent across all the images.”
Canvas printing at PhotoBox is a highly streamlined operation. Customers have a choice of three canvas grades, 17 different sizes up to 30 x 40 inch, and rectangular, square and panoramic formats. Images received online on any of the 18 localised websites are automatically nested prior to printing in full-roll batches on a SureColor printer. The rolls are then loaded onto an Esko Kongsberg cutting table, automatically cut to size and finished. The complete process – from order receipt to despatch – typically takes less than 24 hours!
“The SureColor printers are excellent and we work them hard around the clock producing stunning images for our customers. It’s a high stress environment and we need maximum production uptime so when we need it we have great support from Epson and Rockwell, Epson’s appointed service provider,” says James.
Several staff members have also attended the Epson SureColor Academy to ensure they get the best from their printers. “Quality is key for production whatever the time of year so we train our production staff all year round to ensure we’re ‘match fit’ ahead of peak. Our operators have gained a better understanding and expertise in getting the very best results from the SureColors,” says James.
“We have developed the new SureColor SC-S60600 printer to meet the quality, productivity, reliability and efficiency needs of demanding, high-volume customers, such as PhotoBox, and their experience confirms that this new model truly is a superb professional production printer,” says Richard Barrow, Senior Product Manager, Epson Europe.
Graphic Printing Technologies (GPT) has announced an Open Day, specifically focusing on HP's range of Latex and Flatbed printers.
SureColor SC-P20000 combines the highest quality at print speeds of up to 17.5sqm/hr.
FESPA partners with Avery Dennison and Mimaki for the World Wrap Masters Series Final.
FESPA partners with Avery Dennison and Mimaki for the World Wrap Masters Series Final.
Mimaki will be launching its new TS500P-3200 super-wide format inkjet printer in February 2016. The 3.2m-wide roll-to-roll sublimation inkjet printer is a dedicated transfer paper printer for the textile industry and is ideal for a broad range of applications including home furnishing textiles and indoor soft signage.
Exclusively distributed in the UK and Ireland by Hybrid Services Ltd, the Hybrid's National Sales Manager for Textile & Apparel, Stephen Woodall, says: “We’re seeing the trend for on-demand textile printing develop from the fashion and sportswear markets into the interior décor and home furnishing sector. The benefits of digital print enable companies to deliver variable content in varying run lengths with very short lead times; thus capitalising on the technology.”
He continues: “Personalisation works best when coupled with short lead times for the consumer, so another key factor is having a print operation located geographically close to its market, thus bringing manufacturing back to the UK & Ireland.”
The super-wide format TS500P-3200 inkjet printer, ideal for transfer printing on furnishings and display graphics fabrics, features a new type of printhead to deliver high-speed printing at 180sq m/h. There are 12 printheads arrayed in three staggered lines that eject ink droplets at high speed to maintain the appropriate ink droplet angle and ensure accurate drop placement with a high head gap. This ensures high-quality printing results on low-cost thin transfer papers.
Mimaki’s Advanced Pass System 4 (MAPS4) anti-banding function smooths the swath boundaries with reduced numbers of droplets to provide even more beautiful printing. In addition, the newly designed Auto Media Feeder (AMF) allows stable transfer paper feeding at the high-speed setting in order to maintain print quality.
In addition, the environmentally friendly output does not emit volatile organic compounds after printing and when considering large expanses of display graphics or retail PoS, it helps reduce CO2 emissions during transportation because it is lightweight and foldable.
The Mimaki TS500P-3200 delivers a number of production benefits. Its 3.2m super-wide printable width is practical for sublimation transfer printing on extra-wide fabrics for curtains, bed linen, and other home furnishings and with printing speeds of 180sq m/h is highly productive too. A new printhead and feeding mechanism ensure high speed and quality printing on 3.2m wide media, which thanks to its AMF*3 is capable of feeding media up to 3.2m wide and 130kg and in weight.
Mimaki’s cockling-reduction transfer mechanism supports high-speed production on wide papers and the high performance TxLink3 Lite RIP software allows users to specify the ink volume per colour, and produce large seamless patterns from a single image (including repeat and mirror patterns).
Uninterrupted printing is aided by the Nozzle Check Unit (NCU) that automatically detects and cleans clogged nozzles while the Nozzle Recovery System (NRS) uses only good nozzles as substitutes, when the clogged nozzles are not recovered after cleaning. Large ink containers in the external ink supply unit support continuous printing.
Woodall remarks: “The TS500P-3200 should make a real impact in these markets, thanks to its combination of high tech performance and innovative features. As Mimaki’s dye sublimation and textile printing line-up continues to expand apace, we’re seeing machines that offer solutions for every aspect of the sector.”
The interior decoration market is undoubtedly a growing one, as Woodall concludes: “The increase in demand for bespoke and short run interior textiles – be it for furnishings, décor or display graphics – is showing no sign of abating. Mimaki is focused on meeting the requirements of this market and the new TS500P-3200 provides the capability to deliver to an increasingly wide variety of needs.”
Full details on Mimaki’s textile printer range alongside the full product line-up can be found by visiting www.hybridservices.co.uk
UK distributor, ArtSystems, supports MakerBot 3D printer stand at bett, ExCeL, the world’s foremost education technology event.
To celebrate Roland’s year of colour, printMAX is offering enough ink to keep a new Roland printer running 365 days of the year, completely free of charge. As part of a new scheme, the Roland reseller is including up to 12 months’ worth of the brand new Roland Eco-Sol Max 3 inks to customers ordering a new Roland printer before the end of February within the purchase price.
Managing Director Michael Bolton explains: “At printMAX we are consistently striving to exceed our customers’ expectations and we absolutely live by that ethos each day, whether that be our approach to service, technical support or in this case, more value for money. With all new investments, the cost of running must be assessed, so we’re removing a significant aspect of this by adding peace of mind and reduced costs for the first 3 months or first year of operating.”
printMAX is providing the first 3 months of ink free with a Roland VersaEXPRESS RF-640, VersaCAMM VS-i or VersaCAMM SP-i series. When ordering a SolJet Pro 4 XR-640 or XF-640 printMAX customers will be entitled to a year's worth of free ink, valued at more than £7,000.
Customers will also receive the brightly coloured Bose Colour Soundlink Speaker with each purchase, designed to brighten up any print room.
For more information please visit www.printmax.co.uk/offers/roland or call the printMAX team on +44(0)1420 511539.
The start of 2016 sees the introduction of 'attractive new price points and enticing promotions' across a range of Mimaki printers, including key solvent and LED UV products from exclusive UK & Irish distributor, Hybrid Services Ltd.
The multi-award winning Mimaki CJV150-75 integrated printer/cutter enjoys an RRP of just £5,995 until the end of March 2016 yet still benefits from a 2 year fully inclusive warranty, 3.5 litres of ink, powerful software bundle and take-up unit. Its larger sibling, the JV150-107 is available for just £6,995 and, as Hybrid's National Sales Manager for Sign & Graphics, John de la Roche, confirms, these are just a selection of the offers.
“This Spring, prospective customers can benefit from savings of up to £5,000 across Mimaki’s solvent printer and printer/cutter products,” he outlines. “With the JV300 and CJV300 also seeing highly competitive pricing, it’s a great opportunity to invest in a Mimaki and make considerable savings.”
The new line-up of sign and graphics printers all include a two year Gold Warranty (parts and labour) and an extensive choice of ink configurations to suit individual needs; creating new business opportunities for signmakers, print professionals and commercial print operations as they invest in wide format.
Substantial reductions are also available across Mimaki’s UV printer range, with the range topping JFX500-2131 seeing not only a £20,000 saving but also a free second year warranty.
Stuart Cole, Hybrid's National Sales Manager for Industrial Products comments: “With two year warranties available across our JFX range and on the A3 and A2 UJF flatbeds; peace of mind and budgeting are both taken care of.”
The Mimaki UJF-3042 and UJF-6042 start at just £15,995 and as the ‘go to’ small format flatbed LED UV printers, deliver a winning combination of print quality, productivity and creativity.
“There are many reasons that the UJF remains the most popular printer in its class,” states Cole, “and receiving a warranty that’s double the length of the industry standard is an excellent incentive to invest.”
“The reduced capital cost of these printers makes them even more attractive than usual,” he continues. “The offers aren’t limited to the flatbeds either – our two roll-to-roll UV machines are also available with great savings too.” Mimaki’s UV500-160 roll fed production LED UV printer benefits from a £10,000 saving during the promotional period and the UJV-160 is available for just £29,995.
Mimaki’s entire line-up of wide format printers, cutters, software and consumables is available through Hybrid’s network of specialist resellers in the UK and Ireland. Offers are available until the end of March 2016. For full details on all these promotions and more, please visit www.hybridservices.co.uk/offers where terms and conditions are also outlined.
[Photo caption: The Mimaki JFX500 enjoys a £20,000 saving and free second year warranty for a limited time.]
The start of 2016 sees the introduction of 'attractive new price points and enticing promotions' across a range of Mimaki printers, including key solvent and LED UV products from exclusive UK & Irish distributor, Hybrid Services Ltd.
The multi-award winning Mimaki CJV150-75 integrated printer/cutter enjoys an RRP of just £5,995 until the end of March 2016 yet still benefits from a 2 year fully inclusive warranty, 3.5 litres of ink, powerful software bundle and take-up unit. Its larger sibling, the JV150-107 is available for just £6,995 and, as Hybrid's National Sales Manager for Sign & Graphics, John de la Roche, confirms, these are just a selection of the offers.
“This Spring, prospective customers can benefit from savings of up to £5,000 across Mimaki’s solvent printer and printer/cutter products,” he outlines. “With the JV300 and CJV300 also seeing highly competitive pricing, it’s a great opportunity to invest in a Mimaki and make considerable savings.”
The new line-up of sign and graphics printers all include a two year Gold Warranty (parts and labour) and an extensive choice of ink configurations to suit individual needs; creating new business opportunities for signmakers, print professionals and commercial print operations as they invest in wide format.
Substantial reductions are also available across Mimaki’s UV printer range, with the range topping JFX500-2131 seeing not only a £20,000 saving but also a free second year warranty.
Stuart Cole, Hybrid's National Sales Manager for Industrial Products comments: “With two year warranties available across our JFX range and on the A3 and A2 UJF flatbeds; peace of mind and budgeting are both taken care of.”
The Mimaki UJF-3042 and UJF-6042 start at just £15,995 and as the ‘go to’ small format flatbed LED UV printers, deliver a winning combination of print quality, productivity and creativity.
“There are many reasons that the UJF remains the most popular printer in its class,” states Cole, “and receiving a warranty that’s double the length of the industry standard is an excellent incentive to invest.”
“The reduced capital cost of these printers makes them even more attractive than usual,” he continues. “The offers aren’t limited to the flatbeds either – our two roll-to-roll UV machines are also available with great savings too.” Mimaki’s UV500-160 roll fed production LED UV printer benefits from a £10,000 saving during the promotional period and the UJV-160 is available for just £29,995.
Mimaki’s entire line-up of wide format printers, cutters, software and consumables is available through Hybrid’s network of specialist resellers in the UK and Ireland. Offers are available until the end of March 2016. For full details on all these promotions and more, please visit www.hybridservices.co.uk/offers where terms and conditions are also outlined.
[Photo caption: The Mimaki JFX500 enjoys a £20,000 saving and free second year warranty for a limited time.]
HP Inc. has introduced new enhancements to the HP WallArt Suite platform, an easy and innovative web-to-print experience designed to help small-to-medium sized print service providers (PSPs) in the decoration space.
The unique technology was created exclusively for HP’s line of Latex printers to address rising demands for e-commerce integration between PSPs and customers and is the first HP solution to integrate everything from the design process to quotes and customer orders in one place.
“Our PSP customers have told us they want easy-to-use applications and affordable, intuitive software that makes printing and communication with their customers easier,” said Joan Pericot, Large Format Marketing Director, HP Inc. “With the new HP WallArt Suite platform, PSPs and their customers can manage everything from design to order information in real time.”
The New HP WallArt Suite has been redesigned with a clear strategic vision of being the first open platform in the large-format market that allows the integration of different digital content apps and new application development.
HP at Heimtextil 2016
HP will showcase its latest portfolio of solutions at Heimtextil 2016 on the HP Latex 310 and HP Latex 360 printers as well as the recently introduced HP Latex 3500 printer, which is ideal for high-volume, dedicated application production. The platform will be displayed on these various printers at the HP booths detailed below:
At the HP booth at Heimtextil (Hall 4, stand C15), HP will showcase an exciting display of design works by Robin Sprong, who developed the concrete wallpaper for the production area, designer Agustina, who designed the HP Latex concept proofing area, and designer Victoria Dvorzhanska, winner of “Best Digital Wallpaper Design” in 2015, who will showcase her winning wallpaper design throughout the exhibit. The hospitality area was designed by interior design studio Eque y Seta.
In addition, HP will also have presence at Hall 5.1, booth C29, displaying the new application solutions for window coverings demonstrating HP Latex Printing Technology enables virtually unlimited design options with highly efficient production.
More information about HP solutions for wallcoverings is available at www.hp.com/go/latexdecoration and on YouTube at www.youtube.com/hpgraphicarts and through the HP Graphic Arts Twitter Feed, www.twitter.com/hpgraphicarts. HP WallArt users are invited to showcase their wallcovering installations with the global design community on the HP for Designers Facebook page at
www.facebook.com/hpdesigners and via Twitter using #HPWallArt.
The Market’s Fastest Wide Format Scanners Can Now Pair With the Market’s Fastest Printer.
Zünd Plotting Systems (UK) Ltd will demonstrate its advanced digital cutting equipment at Packaging Innovations 2016 on February 24th and 25th 2016 at Birmingham's NEC.
A regular exhibitor at the specialist packaging event, Zünd UK's stand (H26) will showcase the Zünd S3 M-1600 with tandem vacuum system – a fast, efficient digital cutting table ideal for packaging and print companies requiring continuous production.
Zünd cutters are engineered as modular systems to enable the perfect configuration to be developed for each individual user, and for tool changes to be made at any time following installation. The systems can adapt with the user, allowing for growth and diversification into new applications and materials.
The Zünd S3 model is compact, fast and durable enough to handle materials up to 25mm thick, while being low-maintenance and easy to use. Like all Zünd equipment, it surpasses the highest safety standards for cutting machinery.
At Packaging Innovations 2016, the Zünd UK team will be available to demonstrate the Zünd S3 M-1600 and give information and advice to visitors on how the Zünd range can be an extremely valuable investment for packaging and print-led companies. Based in St Albans and specialising in high-end Swiss-made technology, Zünd UK is known as an expert in the field and supports businesses of all sizes across the country.
"Packaging Innovations is always a highlight of our exhibition calendar as it's an excellent opportunity to talk to members of an exciting industry and discuss how our technology can help bring their ideas to fruition," says Peter Giddings, Sales Director, Zünd Plotting Systems (UK) Ltd. "Packaging is a thriving market with almost unlimited innovation. We're looking forward to the show."
Packaging Innovations 2016 incorporates Contract Pack and Ecopack and is co-located with Empack Birmingham 2016 and Label&Print Birmingham 2016, creating an all-encompassing packaging trade event.
For further information on Zünd digital cutting equipment or to book a meeting with Zünd UK at Packaging Innovations 2016, please email sales@zund.co.uk or call +44 (0)1727 833003.
[Picture caption: The Zünd S3 will be on display at Packaging Innovations 2016]
Mimaki is seemingly aiming to extend and enhance its presence in the high-growth digital textile print sector, having announced to the Japanese stock market that it has reached agreement to acquire 100% of Italian textile specialist La Meccanica.
With Mimaki printers already well established in affordable roll-to-roll textile printing, this strategic acquisition will see Mimaki adding further expertise, production capacity and capabilities at the higher end of the digital textile print sector.
Headquartered in Urgnano - in Bergamo, the very epicenter of the European fashion apparel market - La Meccanica has been established for over 40 years, and is currently a well-respected specialist manufacturer in the textile market. With in-house production in a modern 5000 sq.m facility that features efficient production using advanced automation and robotics, La Meccanica develop and produce a broad range of bespoke and custom solutions covering textile printing, textile inspection, and specialist packing.
What does this mean for Mimaki? The natural assumption is that Mimaki are looking to add to their production portfolio at the higher-volume end of the digital textile print sector, but as of yet no official announcement has been made beyond the notification to the Japanese stock market.
Mimaki is seemingly aiming to extend and enhance its presence in the high-growth digital textile print sector, having announced to the Japanese stock market that it has reached agreement to acquire 100% of Italian textile specialist La Meccanica.
With Mimaki printers already well established in affordable roll-to-roll textile printing, this strategic acquisition will see Mimaki adding further expertise, production capacity and capabilities at the higher end of the digital textile print sector.
Headquartered in Urgnano - in Bergamo, the very epicenter of the European fashion apparel market - La Meccanica has been established for over 40 years, and is currently a well-respected specialist manufacturer in the textile market. With in-house production in a modern 5000 sq.m facility that features efficient production using advanced automation and robotics, La Meccanica develop and produce a broad range of bespoke and custom solutions covering textile printing, textile inspection, and specialist packing.
What does this mean for Mimaki? The natural assumption is that Mimaki are looking to add to their production portfolio at the higher-volume end of the digital textile print sector, but as of yet no official announcement has been made beyond the notification to the Japanese stock market.
Mimaki has a full show schedule planned for January 2016. The company will be exhibiting at no less than three major trade shows, each focusing on its own specific field of interest, the first of which is Heimtextil, the largest international trade fair for home and contract textiles. Heimtextil is scheduled for 12th to 15th January at Messe Frankfurt, Germany. Mimaki will be located in Hall 4.0, Stand F15.
The company also has a presence at PSI Düsseldorf; the leading international trade fair for the advertising industry. Hosted by the Promotional Product Service Institute, PSI 2016 is scheduled for 13th to 15th January at Messe Düsseldorf, Germany, where Mimaki will be in the Technology Forum, Stand 12B13 TF.
Finally, Mimaki will be exhibiting at Salon C!Print Lyon, France, scheduled for 26th to 28th January; a show perfectly tuned to the evolving needs of the printing market, which requires creativity and innovation. The Mimaki team will be inspiring attendees at Stand 2K12/L11.
"No time to rest on those mistletoes come 2016," says Mike Horsten, General Manager Marketing EMEA at Mimaki Europe. "All three shows are important venues to showcase Mimaki’s broad range of solutions for the printing and visual communications industries, from textile printing to signs & display graphics and promotional items to general commercial print applications. We’ll be out in force at all three shows to inspire attendees with new digital solutions poised to transform their businesses."
Digital textile printing: A growth market
At Heimtextil, Mimaki will have a full product line-up on display, with solutions that make it easy for visitors to expand their digital textile printing capabilities or implement new ones, printing vibrant, durable colours on a broad range of materials. Visitors will experience the TS500P-3200, a 3.2 metre concept printer that prints on transfer paper with sublimation ink alongside the Mimaki TS300P-1800, a 1.8 metre printer that also prints on transfer paper and will be shown using brilliant pink and yellow fluorescent inks, much in demand especially in the sports garment industry.
Mimaki will also show the TX300P-1800, a 1.8m printer that prints directly on textiles with disperse dye ink, enabling printing directly on polyester, as well as with textile pigment inks for printing on cotton - which proved to be a smash hit at the recent ITMA 2015 show. In addition, Mimaki's JV400LX, using CMYK, Orange and Green Latex inks will be printing wallcoverings with a stunning colour gamut.
"Digital textile printing has evolved past simply printing samples or one-offs,” Horsten adds. "Designers and manufacturers can take advantage of the Mimaki textile printing family for short to medium production runs of unique fabrics for a variety of uses, from home decoration to fashion to industrial. Visitors to our stand are sure to be impressed by the opportunities these printers generate.” Horsten will also be presenting at the European Digital Textile conference on January 12th at 11am in Hall 4.0 on “The new supply chain for super-fast home textiles.”
Stephen Woodall, National Sales Manager – Textile & Apparel for exclusive UK and Irish Mimaki distributor, Hybrid Services Ltd comments, “Heimtextil is an important international show and the range of Mimaki printers on display demonstrates our very latest solutions for the home furnishings and printed textile sector.”
Promotional printing reinvented
At PSI 2016 in Düsseldorf, Mimaki’s printer and cutting plotter portfolio will take centre stage. Manufacturers of promotional items will find unique solutions that enable printing on three-dimensional items and a wide range of other promotional materials. These include the brand-new UJF-7151plus, which will also take the limelight at C!Print Lyon. It is the next generation model of the world’s best-selling UJF Series line from Mimaki and its design and technologies enable sign, speciality graphics, and award and personalisation companies to realise the benefits of digital printing with higher margins and lower production costs, without compromising quality.
Also at PSI is the JFX200-2513 LED UV flatbed printer ideal for signs and display graphics that prints on a wide range of substrates with a choice of inks, including white and clear. It’s easy to use and has a compact footprint to fit into almost any production space.
Mimaki will also demonstrate the UJF-3042HG, including the Kebab option to enable printing on round surfaces and cylinders, a table top flatbed printer that can print on a variety of substrates, including plastics, metal, wood, leather and glass in sizes up to 30cm x 40cm.
Stuart Cole, National Sales Manager – Industrial Products at Hybrid remarks, “There are three different UV-curable ink types available, plus white and clear, and these address a huge variety of printing needs. On-demand printing of promotional items is just one of the successes of the UJF Series and the exhibition is an ideal opportunity to highlight this to prospective customers.”
In addition, the Mimaki CFL-605RT compact flatbed cutting plotter will be on the stand and is the ideal complement to Mimaki digital printers. This 50cm x 60cm cutter supports on-demand production with multiple functions including reciprocating, tangential and eccentric cutting, plus creasing for immediate finishing of packaging and prototypes.
“Our Kebab option is always a big hit at trade shows, especially in the promotional items space,” Horsten explains. “It opens up a variety of brand-new options for manufacturers of promotional items that were not previously available. We are looking forward to showing off the applications, along with the rest of our portfolio, at PSI 2016.”
PLUG&PLAY SVP at Salon C!Print Lyon
At C!Print, Mimaki will once again participate in the event’s PLUG&PLAY Creative Workshop with its JFX200-2513, an affordable, high performance UV LED flatbed printer also being shown at PSI 2016. The purpose of this project is to demonstrate how companies can display their visual identity in temporary locations including pop-ups, combined with multichannel communications. In addition, Mimaki will be showing the UJF-7151 plus direct-to-object production flatbed printer and the UJF-6042 flatbed printer with the CFL-605RT compact flatbed cutting plotter. The Mimaki UJF-3042HG with the popular Kebab option will also be available to view.
Mimaki also intends on showing the TS300P-1800, printing on transfer paper for fabric applications and featuring yellow and pink fluorescent inks. "We will also have all four of our latest solvent printers at the show,” Horsten concludes, "The JV300, JV150, CJV150 and CJV300. This broad array of solutions ensures that we will have something for everyone, and we look forward to welcoming visitors to our stand.”
Full details on the Mimaki range, which is available in the UK and Ireland through Hybrid’s network of authorised resellers can be found by visiting Hybrid’s new website – www.hybridservices.co.uk.
[Image caption: Mimaki's TS500P-3200 3.2m concept printer for transfer paper]
Nottingham-based specialist distributor ArtSystems has enjoyed a buoyant 2015 and has plenty of irons in the fire for an even better 2016, says Ted Freer, Sales Divisional Manager.
Delta Rubber has purchased a Zünd S3 M800 in order to bring gasket manufacturing in-house – a move described as 'a natural development of the business and key to future development'.
Founded in Dorset in 2008, Delta Rubber has steadily expanded into a £1million-turnover company with expansive premises and seven employees. As a specialist in producing parts for industrial sealing purposes, the business has customers in a vast range of industries including marine, automotive, construction, electronics and renewable energy – making parts for products ranging from bird tables to supercars.
"A key part of our success is that we know exactly what we're doing: the whole team has the technical knowledge to understand customers' problems," explains Jon Fisher, Director, Delta Rubber. "A large part of what we do is problem-solving."
Formerly, Delta Rubber was outsourcing most of the production of rubber gaskets, a core part of its product line, to a local company with a digital cutting table. Digital cutting technology is markedly more versatile than traditional gasket cutting presses, as it enables prototypes to be made quickly and easily, whether the client requires one, 50, or more, in a range of sizes. Additionally, the table's tooling can be changed easily to accommodate new materials.
However, Delta Rubber was 'spending significant sums of money' on outsourcing the work, Jon Fisher explains. Bringing the work in-house also increases the speed of turnaround: "These days the pressure of industry means everyone wants their work the same day. We decided to invest in our own equipment to increase that speed of response."
After research carried out by Delta Rubber Director Martin Bailey and a visit to Zünd UK's dedicated demonstration centre in St Albans, the business decided on a reconditioned ex-demo model Zünd S3 M800. It was installed at Delta Rubber in September and 'is going extremely well', says Jon Fisher, adding that it 'its precision is very impressive'. Currently, it is being used for making mould-gaskets for wind turbine blades.
The Zünd S3 cutting table has, like all Zünd solutions, a modular design to allow for changes to its size and function to be made at any time. It can process a wide variety of materials up to 25mm thick, is fast, compact and low-maintenance, and offers superior performance at the highest safety levels.
"The Zünd S3 is an ideal machine for a business like Delta Rubber that caters for such a wide range of customers and industries," says Peter Giddings, Sales Director, Zünd Plotting Systems (UK) Ltd. "It is simple to run, maintain and update and we expect Delta Rubber to see an increase in production speeds too."
Jon Fisher adds: "We started the company in the middle of a recession but have only experienced growth. The Zünd S3 is paying for itself but more importantly, bringing gasket-making in-house is a natural development of the business and key to future development.
"We may well look at other markets in the future and possibly invest in a larger Zünd machine."
Videos showing Delta Rubber's Zünd S3 in action can be found on YouTube: https://www.youtube.com/channel/UC7R1YkMjBDDhukk6XNCStRw
For further information on Zünd digital cutting equipment or to book a visit to Zünd UK's demonstration centre, please email sales@zund.co.uk or call +44 (0)1727 833003.